Giotto is considered by many as a introduce in incorporating emotion into his paintings. This is very evident in the Lamentation, where one can actually see and feel the anguish of Mary over losing her son. In sharp contrast to Giottos style, The get of the Strauss Madonnas style of painting seems dull and unmoving. In his painting The Virgin and Child, the Master of the Straus Madonna paints his figures devoid of emotion.
The subjects contemplate is directed downward as if avoiding eye contact quite than engaging the witness. The expressions of the Virgin and Child appear to have been multicoloured on. To further illustrate this absence of emotion and isolation of the Madonna and Child from the viewer is their clothing, which appears to lack movement.
The Virgin and Child appears to blend into the background of the painting, giving it a one-dimensional appearance. The facial features of the Madonna and Child are rounded and soft, rather than angular features found in the Madonna Enthroned. In Giottos work the central figures are the most prominent figures in the painting, allowing the viewer to recognized immediately...If you want to get a full essay, golf club it on our website: Orderessay
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