herself of attachments that become lightweight to her life as an
artist, Godfrey St. Peter, at the time of the novel, has experienced
the exhalation of one person in his life who had been profoundly strategic
to him, is experiencing the value of another whose importance he has
.he #.
only begun to appreciate, and has slowdown accumulated excess
persons who he discovers are not in the least important to him.
Thea's experience of others in her life is a function in part of the
sociological fact that because she is a cleaning lady with a go she
relinquishes connections of family and friendship in favor of that
biography; she has had to choose. St. Peter's experience, on the other
hand, reflects that, as a man, his career has been consonant with
his duties as family provider upon whom others will inevitably
opine for material and emotional support. A comparison of these
novels suggests that Cather realizes the career woman is likely to
live a solitary family life, while the career man is likely to be
On the whole, the narrative fancy differs dramatically from one
story to the other.
Philip Gerber comments that Cather's "enthu(
siasm" for (The Song of the Lark( "increased as she worked; she felt
herself to be an explorer who had di
traditional role of wife and mother. Gerber says that (The Song of
have it it!" (Cather, (Song( 255). new(prenominal) characters refer to Thea's
in quest of career fulfillment discards obviously intimate person(
relics. Ironically, this commercialism is what makes Tom's associa(
of appropriateness for his (real( self. He is able to un rive his
cheap shows and dance halls and boys from the country who were
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